Constantinople, April 24 1915. As the British prepared their landings in nearby Gallipoli, hundreds of arrest warrants are issued across the city. The arrival of police at poet Taniel Varoujan’s door would shatter his home, destroy his work and his family would never see him again.

Film Noir in style, “Taniel” pays homage to the era of dramatic filmmaking with extreme lighting and camera angles. The narrative is mostly heard through poetry, with Varoujan poems in Armenian expressing the emotions in each of the scenes; and narrative poetry in English delivered with an emotive depth of feeling by Sean Bean.

Taniel is currently taking part in the film festival circuit through 2018. It won two awards at the Bermuda International Film Festival and the team is just back from Armenia after being selected in Golden Apricot International Film Festival, and a special screening at The Armenian Genocide Museum-Institute. Taniel is also selected to be screened at a few more currently, including Shetland’s Screenplay Festival, curated by Mark Kermode; and Armenian Film Festival in Sydney.

Taniel in Tuscany

Taniel is in the official selection of Montecatini International Film Festival 2018

Interview with Yegya Akgun by Paros Magazine

“The great poet Taniel Varoujan and the leading names of the Armenian intellectual life were being dragged into a dark journey in 1915. Taniel felt his future in his poems and he always wished for peace and serenity” – read what our Western Armenian poetry narrator Yegya Acgun thinks about Varoujan and the film

Interview with Australian SBS Radio

Interview with director Garo Berberian about his short film Taniel (2018) and his travel to Sydney for the screening of the film during the Armenian Film Festival by Vahe Ketab.

Taniel and I

Poetry producer Tatevik Ayvazyan talks about her love of Varoujan’s poetry and how it was chosen for the film

Sean Bean

Finding the narrator’s voice for “Taniel”

The Soundtrack – Tigran Hamasyan

An emotive swirling cyclone of notes: Garo Berberian talks about Tigran Hamasyan and how music from Luys I Luso is the perfect sensory companion for “Taniel”